The global art world is rapidly becoming aware of this market, but there are some pitfalls to know about if you are looking to buy into it. Installation view of the Mirdidingkingathi Juwarnda Sally ...
Join Asia Society for a profound and timely conversation that builds upon the momentum of our critically acclaimed exhibition Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from ...
Populated by sharks, snakes and kangaroos, but mostly by densely arrayed lines and shapes, the pictures in “Madayin: Eight Decades of Aboriginal Australian Bark Painting From Yirrkala” represent the ...
The Aboriginal artist Emily Kam Kngwarray spent her entire life in the remote Utopia region of Central Australia, and when she started painting in the late 1980s, in her 70s, women in her community ...
CAMBRIDGE, Mass. — In 1971, at a remote government settlement in Australia’s Northern Territory called Papunya, a group of elderly Aboriginal men painted designs from ancestral creation stories onto a ...
The tension between sacred mysteries that must be shielded from outsiders and those that can be revealed animates an exhibition at the Asia Society. By Arthur Lubow The Aboriginal art of northeast ...
Admirers of Australia’s Indigenous artists have been pushing for a serious, large-scale presentation of their work at a major U.S. museum for decades. The quality of the work undoubtedly warrants it: ...
A view of “Significant” at D’Lan Contemporary’s Melbourne gallery. Courtesy D'Lan Contemporary, Melbourne. Photo: Gus Davidson A renewed surge of interest sparked by biennials and major institutions ...
Fiona Foley, "HHH" (2004). Courtesy of artist/Niagara Galleries. (via MoCADA.org) I just started reading Toure’s Post Blackness: What It means to be Black Now, which features a number of black artists ...
An artist, educator and writer specializing in Australian indigenous art will be the next director of the University of Virginia’s Kluge-Ruhe Aboriginal Art Collection, a search committee announced ...
But because most Indigenous people had no permanent dwellings, they lacked the sacred or secular buildings that are typically adorned with paintings and sculptures in other cultures: there were no ...
Metaphors of cooking and eating are a firm favourite among writers on multiculturalism. No comment on cultural contact seems complete without the proverbial “melting pot”. This metaphor tends to imply ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results