Pre-Raphaelite artist John Everett Millais’ painting The Blind Girl (1854–56) shows two girls sitting in a bright green meadow with a double rainbow in the background. While the younger girl stares ...

Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Visitors to a new exhibition in England will not only be able to look upon painted scenes and characters: They’ll be able to smell them, too. “Scent and the Art of the Pre-Raphaelites,” which is on ...

Following a successful international tour, the Tate Britain’s pre-Raphaelite paintings have come back to the museum, The Telegraph reports. The works being returned include masterpieces such as ...

Just about all of us have a tiny inkling about Impressionism, the Renaissance, maybe even Expressionism, and what makes each movement different from the other. Fanny Eaton was a regular model for the ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...

Born on June 8, 1829, in Southampton, England, John Everett Millais spent much of his early childhood on the island of Jersey, where his family’s roots lay. His mother, Emily Mary Millais, recognized ...