For 11 of its 12 days, the 62nd Cannes Film Festival was in large part the Cannes Movie Festival. At a hallowed venue where minimalist art films usually dominate, this year sensation often ran rampant ...

Dr. Oliver Speck recently gave a talk at the Goethe-Institut in Washington, D.C. on The White Ribbon, the latest film from Austrian director Michael Haneke. The White Ribbon won a slew of awards after ...

Jay Liu is a writer and critic of film and culture hailing from the embattled city of Hong Kong. He was chosen twice to lead the official Cannes Classics x USC School of Cinematic Arts partnership, ...

BOCHUM, Germany (Reuters) - Austrian director Michael Haneke's "The White Ribbon," a chilling exploration of the roots of Nazi terror, dominated the European Film Awards on Saturday, winning three ...

The White Ribbon is Michael Haneke’s first German-language film since the original Funny Games (1997) and it’s his best ever. A period piece set on the eve of World War I in an echt Protestant, ...

Austrian director Michael Haneke's somber drama "The White Ribbon" claimed the top prize Sunday at the Cannes Film Festival, while Quentin Tarantino and Lars von Trier entries earned the acting honors ...

CANNES, France - Austrian director Michael Haneke's somber drama "The White Ribbon" claimed the top prize Sunday at the Cannes Film Festival, where Quentin Tarantino and Lars von Trier entries earned ...

The White Ribbon,” Michael Haneke’s drama about strange happenings in a remote village in 1913 Germany, topped the European Film Awards on Saturday, picking up kudos for film, director and ...

A series of disturbing crimes occur in a stern German town just before World War I, and citizens of the small community grapple with their odd misfortunes while trying to maintain their peculiar way ...

What happened to Michael Haneke? The 81-year-old Austrian filmmaker who won an Oscar for “Amour” and flayed class privilege, technology, and voyeurism in French-language films like “Benny’s Video,” ...

The White Ribbon is Michael Haneke’s first German-language film since the original Funny Games (1997) and, addressing what used to be called “the German problem” while dodging the filmmaker’s own ...