The British composer Thomas Adès is back on the Boston Symphony Orchestra podium this week, leading his own music, yes, but also giving the fall schedule a healthy shot of curatorial imagination. The ...
The presiding artistic mind was that of Thomas Adès, featuring both as conductor and composer. His passion for the music he had chosen shone through, overcoming the rough-and-readiness of his baton ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick At the Los Angeles Philharmonic, the composer’s “Dante” is an extreme rarity in orchestral music: a new evening-length work. By Joshua ...
At last, an opera. Thomas Adès’s The Tempest is not a multimedia pageant, a musical with pretense, or some brave new hybrid. It is fresh proof of the sinew still left in an aged genre. You know it ...
He played piano masterfully and captivated us with his compositions. Thomas Adès has left SummerFest, but the memory of his residency remains. There was perhaps no more impressive display of his ...
3 Full Cast Set For MAYBE HAPPY ENDING North American Tour "Given The Music Center's legacy of bringing world-class companies and trailblazing artists to Los Angeles, we're thrilled to welcome ...
The programme was very nicely put together: the first half pitting Adès’s take on The Tempest against Sibelius’s, and the second, Adès’s take on Dante against Tchaikovsky (in the form of the fantasy ...
Thomas Adès' operatic treatment of "The Tempest," which premiered in London in 2004 and at the Santa Fe Opera two years later, finds the English composer working at a peak of fecundity and muscular ...
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