Performances in N.Y.C. Advertisement Supported by Dive into the composer who changed music history and gave Mikhail Baryshnikov “my first heady sniff of the West.” See more of our coverage in your ...

As the 100th anniversary of Igor Stravinsky's ballet The Rite of Spring approaches, commentator Miles Hoffman reminds us that — as earthshaking as that infamous debut was — the composer soon branched ...

Performed on original instruments, the composer’s neoclassical works – particularly his Violin Concerto, brilliantly played by Isabelle Faust, come into sharper focus It was through their recordings ...

There's a lovely online article by pianist Jeremy Denk entitled Why I Hate the Goldberg Variations, to which one answer is that they're too popular, “like a trendy bar that (infuriatingly) keeps ...

Sean Rafferty presents a selection of music and guests from the arts world. Next On Air 17:30 Opera on 3 View full schedule 'Jazz: America's classical music' (pianist and educationalist Dr Billy ...

Handel's brief Italian period was crucial to his musical development, lasting from 1706 to 1710, just before his arrival in London. Stefano Russomanno's booklet essay to this superb anthology suggests ...

Sean Rafferty presents a selection of music and guests from the arts world. Next On Air 17:30 Opera on 3 View full schedule Stravinsky's works fall conveniently into three periods. The first, his ...

There’s nothing new about millennials having an uninhibited dance party. But it’s not every night that the music is Igor Stravinsky’s “Rite of Spring.” The occasion was a collaboration between Boston ...

I share many of Barton Swaim’s views on modern classical music, but he is wrong to lump Igor Stravinsky’s “Rite of Spring” in with music he says no one wants (“Songs Without Listeners,” Bookshelf, ...