The Royal Academy’s A Story of South Asian Art: Mrinalini Mukherjee and Her Circle maps a modernism shaped not by rupture but by relationships – between teachers and students, materials and myth, institutions and everyday life. It reveals how Mukherjee’s fibre, bronze and clay works grew from a shared ecosystem of inquiry and intergenerational exchange. Rather than isolating a single genius, the exhibition highlights a constellation of thinkers who shaped modernity through dialogue and craft – a

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